Vetranović’s “Poem on the Lord’s Prayer”

U članku se razmatra odnos Vetranovićeve Pjesance vrhu očenaša prema prototekstu — Očenašu, pri čemu se opisuje na koji se način molitva amplificira te kako postaje lirskom religioznom pjesmom. Međutim, budući da se u parafrazi, osim različitih teoloških i vjerskih pitanja, tematiziraju i svjetovna, aktualna zbivanja (pojava protestantizma, turska osvajanja, različite društvene anomalije poput korupcije i sl.), nerijetko u polemičkome tonu, zaključuje se da pjesma uvelike nadilazi granice molitve, s jedne strane, i granice lirske religiozne pjesme, s druge strane. Tako se pokazuje da je parafraza Očenaša u znatnijoj mjeri obilježena pripadnošću Vetranovićevoj autorskoj poetici nego poetici onodobne religiozne lirske pjesme.This article considers Vetranović’s “Poem on the Lord’s Prayer” against the Lord’s Prayer and describes the way in which the prayer is magnified into a religious lyric poem. Besides various theological and religious themes, this poetic paraphrase touches upon current affairs and secular issues (the emergence of Protestantism, the Turkish conquess, different social anomalies such as corruption, etc.) The tone employed by Vetranović is often polemic. The article concludes that, on one hand, this poem oversteps the boundaries of a prayer, and that, on the other, it also oversteps those of a lyric poem. It goes to show that “Poem on the Lord’s Prayer” is more emblematic of Vetranović’s poetics than of the poetics of the religious lyric poem of his time